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| The colour print Dye Transfer begins in the middle of the forties, distributed by Kodak. |
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A system basically founded on the skilfulness to manipulate the black and white separation negatives exposed through filters Red 29, Green 61, Blue 47.
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The use of the densitometer and of the graph paper was necessary in order to check
the tonal range.
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| Each separation negative was projected on the positive matrices with gelatin in relief that were immersed in the colour and then spread on paper in the CMY sequence.
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| Practically a three-colour process that had endless possibilities of interpretation offering fantastic results. |
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The system was defined “Time Consuming”. True.
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Still today a dye transfer print stands out for the quality and the deepness of the colour.
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